The Cask of Amontillado
Edgar Allen poe
Summary, analysis, setting, question
The narrator, Montresor, opens the story by stating that he has been irreparably insulted by his acquaintance, Fortunato, and that he seeks revenge. He wants to exact this revenge, however, in a measured way, without placing himself at risk. He decides to use Fortunato’s fondness for wine against him. During the carnival season, Montresor, wearing a mask of black silk, approaches Fortunato. He tells Fortunato that he has acquired something that could pass for Amontillado, a light Spanish sherry. Fortunato (Italian for “fortunate”) wears the multicolored costume of the jester, including a cone cap with bells. Montresor tells Fortunato that if he is too busy, he will ask a man named Luchesi to taste it. Fortunato apparently considers Luchesi a competitor and claims that this man could not tell Amontillado from other types of sherry. Fortunato is anxious to taste the wine and to determine for Montresor whether or not it is truly Amontillado. Fortunato insists that they go to Montresor’s vaults.
Montresor has strategically planned for this meeting by sending his servants away to the carnival. The two men descend into the damp vaults, which are covered with nitre, or saltpeter, a whitish mineral. Apparently aggravated by the nitre, Fortunato begins to cough. The narrator keeps offering to bring Fortunato back home, but Fortunato refuses. Instead, he accepts wine as the antidote to his cough. The men continue to explore the deep vaults, which are full of the dead bodies of the Montresor family. In response to the crypts, Fortunato claims to have forgotten Montresor’s family coat of arms and motto. Montresor responds that his family shield portrays “a huge human foot d’or, in a field azure; the foot crushes a serpent rampant whose fangs are imbedded in the heel.” The motto, in Latin, is “nemo me impune lacessit,” that is, “no one attacks me with impunity.”
Later in their journey, Fortunato makes a hand movement that is a secret sign of the Masons, an exclusive fraternal organization. Montresor does not recognize this hand signal, though he claims that he is a Mason. When Fortunato asks for proof, Montresor shows him his trowel, the implication being that Montresor is an actual stonemason. Fortunato says that he must be jesting, and the two men continue onward. The men walk into a crypt, where human bones decorate three of the four walls. The bones from the fourth wall have been thrown down on the ground. On the exposed wall is a small recess, where Montresor tells Fortunato that the Amontillado is being stored. Fortunato, now heavily intoxicated, goes to the back of the recess. Montresor then suddenly chains the slow-footed Fortunato to a stone.
Taunting Fortunato with an offer to leave, Montresor begins to wall up the entrance to this small crypt, thereby trapping Fortunato inside. Fortunato screams confusedly as Montresor builds the first layer of the wall. The alcohol soon wears off and Fortunato moans, terrified and helpless. As the layers continue to rise, though, Fortunato falls silent. Just as Montresor is about to finish, Fortunato laughs as if Montresor is playing a joke on him, but Montresor is not joking. At last, after a final plea, “For the love of God, Montresor!” Fortunato stops answering Montresor, who then twice calls out his enemy’s name. After no response, Montresor claims that his heart feels sick because of the dampness of the catacombs. He fits the last stone into place and plasters the wall closed, his actions accompanied only by the jingling of Fortunato’s bells. He finally repositions the bones on the fourth wall. For fifty years, he writes, no one has disturbed them. He concludes with a Latin phrase meaning “May he rest in peace.”
The terror of “The Cask of Amontillado,” as in many of Poe’s tales, resides in the lack of evidence that accompanies Montresor’s claims to Fortunato’s “thousand injuries” and “insult.” The story features revenge and secret murder as a way to avoid using legal channels for retribution. Law is nowhere on Montresor’s—or Poe’s—radar screen, and the enduring horror of the story is the fact of punishment without proof. Montresor uses his subjective experience of Fortunato’s insult to name himself judge, jury, and executioner in this tale, which also makes him an unreliable narrator. Montresor confesses this story fifty years after its occurrence; such a significant passage of time between the events and the narration of the events makes the narrative all the more unreliable. Montresor’s unreliability overrides the rational consideration of evidence, such as particular occurrences of insult, that would necessarily precede any guilty sentence in a non-Poe world. “The Cask of Amontillado” takes subjective interpretation—the fact that different people interpret the same things differently—to its horrific endpoint.
Poe’s use of color imagery is central to his questioning of Montresor’s motives. His face covered in a black silk mask, Montresor represents not blind justice but rather its Gothic opposite: biased revenge. In contrast, Fortunato dons the motley-colored costume of the court fool, who gets literally and tragically fooled by Montresor’s masked motives. The color schemes here represent the irony of Fortunato’s death sentence. Fortunato, Italian for “the fortunate one,” faces the realization that even the carnival season can be murderously serious. Montresor chooses the setting of the carnival for its abandonment of social order. While the carnival usually indicates joyful social interaction, Montresor distorts its merry abandon, turning the carnival on its head. The repeated allusions to the bones of Montresor’s family that line the vaults foreshadow the story’s descent into the underworld. The two men’s underground travels are a metaphor for their trip to hell. Because the carnival, in the land of the living, does not occur as Montresor wants it to, he takes the carnival below ground, to the realm of the dead and the satanic.
To build suspense in the story, Poe often employs foreshadowing. For example, when Fortunato says, “I shall not die of a cough,” Montresor replies, “True,” because he knows that Fortunato will in fact die from dehydration and starvation in the crypt. Montresor’s description of his family’s coat of arms also foreshadows future events. The shield features a human foot crushing a tenacious serpent. In this image, the foot represents Montresor and the serpent represents Fortunato. Although Fortunato has hurt Montresor with biting insults, Montresor will ultimately crush him. The conversation about Masons also foreshadows Fortunato’s demise. Fortunato challenges Montresor’s claim that he is a member of the Masonic order, and Montresor replies insidiously with a visual pun. When he declares that he is a “mason” by showing his trowel, he means that he is a literal stonemason—that is, that he constructs things out of stones and mortar, namely Fortunato’s grave.
The final moments of conversation between Montresor and Fortunato heighten the horror and suggest that Fortunato ultimately—and ironically—achieves some type of upper hand over Montresor. Fortunato’s plea, “For the love of God, Montresor!” has provoked much critical controversy. Some critics suggest that Montresor has at last brought Fortunato to the pit of desperation and despair, indicated by his invocation of a God that has long left him behind. Other critics, however, argue that Fortunato ultimately mocks the “love of God,” thereby employing the same irony that Montresor has effectively used to lure him to the crypts. These are Fortunato’s final words, and the strange desperation that Montresor demonstrates in response suggests that he needs Fortunato more than he wants to admit. Only when he twice screams “Fortunato!” loudly, with no response, does Montresor claim to have a sick heart. The reasons for Fortunato’s silence are unclear, but perhaps his willing refusal to answer Montresor is a type of strange victory in otherwise dire circumstances
The story begins with the Montresor, the narrator of the story, explaining the reason for the crime. According to Montresor, the victim, Fortunato has committed numerous injuries against him but it wasn’t until Fortunato insulted him that he vowed revenge. Montresor then makes a statement that generates much of the controversy and discussion surrounding the story. Montresor says “You, who so well know the nature of my soul.” Montresor never tells us or defines the you to whom he is speaking and many of the interpretations of the story hinge on that one cryptic statement.
Montresor never gave any indication to Fortunato that he was angry with him or that he was seeking revenge because as Montresor states, “I must not only punish, but punish with impunity.” As a result, Montresor does not let anyone including his victim realize that he is angry to the point of vengeance.
Setting the Trap
Consequently, when Montresor meets Fortunato during carnival, Fortunato has no reason not to trust the smiling Montresor. Montresor studied his enemy thoroughly and knew of his weakness for good wines. As a result, Montresor used wine to trap his victim. He mentions to Fortunato that he has acquired a cask of Amontillado but that he is unsure that it is the real deal. He bemoans the fact that he payed full Amontillado price without consulting Fortunato, thus playing on Fortunato’s pride.
Montresor then mentions that he knows that Fortunato is busy and that he is on his way to ask Luchesi to taste the wine, consequently, Fortunato’s competitive nature comes to the forefront. Fortunato claims that Luchesi knows nothing and that he is the better judge of wine. Montresor protests that Fortunato is too busy for such an errand. Montresor’s protest is designed to increase Fortunato’s anxiety to go taste the Amontillado.
Once Montresor feels that Fortunato is completely sold on the errand, he agrees to allow him to be the one to taste the wine. Before they move down the street, Montresor protects his identity by putting on a black mask and pulling a cloak around himself.
Montresor arrived home to an empty house, just as he had planned. He had told his employees that he would be gone all night and that they were not to leave the house, thus ensuring that as soon as he was out of site, they would all leave.
They make their way into Montresor’s family catacombs. The nitre lined walls causes Fortunato to cough and Montresor encourages him to forsake the errand and go home. Fortunato says that “I shall not die of a cough” to which Montresor replies with irony “True-true.”
As they travel deeper, they discuss Montresor’s family motto which is “Nemo me impune lacessit” which translates “No one insults me with impunity.” They drink as they go along in order to ward off the chill. The ironic name of one of the wines they imbibe is Le Grave. At one point, Fortunato asks Montresor for the sign of the masons which Montresor did not understand because he is not a mason. Then he produces his trowel, waves it at Fortunato, and thus confuses him.
When they reach the depths of the catacombs, Montresor tricks Fortunato into stepping into a small recess where he chains him to two staples in the wall and begins to wall him in. At first, Fortunato does not understand what is going on. However, he soon realizes his situation and begins to moan and test the chains. Montresor stops so that he can listen more easily to Fortunato’s dismay. When Fortunato quiets, he proceeds walling up Fortunato. At one point, he raises a torch to look inside the crypt and view his handiwork.
When the light falls on him, Fortunato begins screaming. At first Montresor is alarmed, fearing that someone will hear the cries. Then he remembers the security of his position and joins Fortunato’s yells trying to yell louder than him.
Eventually, Fortunato quiets and Montresor continues his task. Just as Montresor is about to complete the wall, Fortunato begins to laugh and make comments as if the situation were a simple prank. However, Montresor’s responses cause Fortunato to realize the sincerity of his actions. Fortunato begs for mercy “For the love of God!” but Montresor simply echoes the phrase and finishes the task. The last sound we hear from Fortunato is the jingling of his jester’s cap
Montresor finishes his account with the phrase “In pace requiescat” or “May he rest in peace
Question 1: Fortunato has no reason not to trust the smiling Montresor. Montresor studied his enemy thoroughly and knew of his weakness for good wines. As a result, Montresor used wine to trap his victim. He mentions to Fortunato that he has acquired a cask of Amontillado but that he is unsure that it is the real deal. He bemoans the fact that he payed full Amontillado price without consulting Fortunato, thus playing on Fortunato’s pride. Montresor then mentions that he knows that Fortunato is busy and that he is on his way to ask Luchesi to taste the wine, consequently, Fortunato’s competitive nature comes to the forefront.
Question 2 : Before they move down the street, Montresor protects his identity by putting on a black mask and pulling a cloak around himself.2: Montresor encourages him to forsake the errand and go home. Fortunato says that “I shall not die of a cough” to which Montresor replies with irony “True-true.”3: No one insults me with impunity. Good he said.4: de grave is akind of wine and it refer to the death that fortunate drink all of it.
Question3: he died and his body was left between walls.
Question5: his interest in old wine and his prod as being a master in this field.
Question 6: because he wants show that he is worried about fortunate health and persuade him to continue.
Question 7 :fifty years ago.